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Top Love Karaoke Duets for High Notes

Strong Duets with Big Voice Ranges

Love karaoke duets that go from E4 to A5 are great for singers to show off their voice skills. “All I Ask of You” from Phantom of the Opera and “Total Eclipse of the Heart” are known for their long A5 notes, making them top picks for singers who like big-note parts.

New Pop and Broadway Choices

“Shallow” from A Star Is Born has parts that move up and down, letting both singers show their voice mix skills. The well-known “(I’ve Had) The Time of My Life” has big build-ups and strong joining parts that grab the crowd while testing voice power. 호치민 밤문화 팁 더 보기

Tips for Good Singing

Breath Hold and Voice Shake

Get good at these hard songs by:

Picking the right spots to breathe in key parts
Keeping your voice shake in check
Being right on pitch in high parts

Joining and Mic Skills

Make your duet great with:

Even voice joining between both singers
Right mic spots for high notes
Strong voice control during build-ups

More High-Note Duet Ideas

“Endless Love” – Long high notes with easy changes
“Don’t Go Breaking My Heart” – Fun high voice swaps
“You’re the One That I Want” – Strong voice play
“Something to Talk About” – Hard joining parts
“Up Where We Belong” – Big long high notes

Old Big Hit Ballads

Top Guide to Old Big Hit Ballad Duets

Must-Have Love Duets from the 80s and 90s

The best time for big hit ballads brought us many known love duets, with deep voice joining and feeling. “Endless Love” by Diana Ross and Lionel Richie is a top example of duet singing, with even middle-range parts that lead to high chorus joining. Experience With the Right Setup

Big Voice Skills for Big Hit Ballads

“(I’ve Had) The Time of My Life” from Dirty Dancing is a top drama duet part, letting singers show off in the tough E4-A5 range. The song moves smoothly from close parts to big chorus parts, needing top voice control.

Top Skills in Old Duets

Heart’s “Almost Paradise” shows needing right on pitch voice and long high notes. The joining parts in close thirds need much work to do just right. “Up Where We Belong” by Joe Cocker and Jennifer Warnes has its own hard spots with moving up tunes, needing strong breath power through climbing parts.

Tips for Top Try

Get your breath right for long high notes
Work on joining parts on your own
Get good at singing together
Focus on good voice back-up ways
Make smooth moves between parts

New Pop Duets

New Pop Duets: A Guide to Today’s Voice Parts

Needed Voice Skills for New Duets

New pop duets need top voice skills, mixing old big hit ways with new sound needs. Today’s big songs need being good at many voice ways, from strong belt sounds to right on pitch joining.

Main New Duets

“Shallow” by Lady Gaga and Bradley Cooper is a top class in breath work, especially when moving from verse to chorus, ending with the known high G5. The R&B touch in “Perfect Duet” by Ed Sheeran and Beyoncé shows hard voice runs and strong back and forth singing.

Voice Parts and Joining Skills

“True Colors” by Justin Timberlake and Anna Kendrick shows top joining skills, mainly in its bridge part. “We Don’t Talk Anymore” by Charlie Puth and Selena Gomez shows different voice sounds and right on time phrase moves. Performance Every Time

Top Try Ways

“Save Your Tears (Remix)” by The Weeknd and Ariana Grande is a peak in hard duet singing, with hard song parts and the need for smooth voice work through many tone changes. The song set-up needs top control and smooth work between singers.

Big Broadway Love Songs

Top Guide to Big Broadway Love Songs: Voice Ways & Tips

Known Broadway Love Duets: Needed Ways

“All I Ask of You” from Phantom of the Opera is a top piece needing top voice control. The high lady voice part needs right breath work through going-up tunes to high A5, while keeping smooth moves between chest and head voice. The duet does well with even voice mix and long smooth parts.

Hard Songs for Pro Singers

“As Long As You’re Mine” from Wicked shows hard joining parts and big key changes. The man voice must bring out a big chest voice up to G4, while the lady part has hard tune ways. This piece shows hard belt-mix ways through tough voice moves.

Top Ways in New Broadway

“Sun and Moon” from Miss Saigon is all about big feeling through voice skills. Doing well in this piece means having strong breath power during long parts and big build-ups. The big bridge part really tests singers’ skills in keeping clear sound under hard play needs.

Old Broadway Voice Ways

“One Hand, One Heart” from West Side Story shows Bernstein’s smart voice writing. This piece needs just right pitch and joined voice shake between singers. Main parts include clean voice start during open together parts and keeping even sound power through voice moves.

Big Hits from the ’80s and ’90s

Top ’80s and ’90s Big-Note Voice Duets

Strong Duets of the 1980s

“Almost Paradise” from Footloose is a top piece of voice range, with hard F5 tops and smart joining work. The hard middle-voice parts need right voice control, while “Up Where We Belong” shows going-up tune runs from E4 to A5, showing the new ways of pop voice parts in that time.

Top Voice Ways in ’90s Duets

“(I’ve Had) The Time of My Life” shows hard voice work together, going from C3 to G5. The smart mix of chest and head voice ways through the bridge part ends in a big key change. This Dirty Dancing song stays a mark for pro-level duet singing.

Today’s Top Voice Works

“When You Believe” by Whitney Houston and Mariah Carey shows the top of three-octave range duet singing. The song’s hard song parts and high sound parts in the last chorus show top voice ways. The going-over tune runs show the top of ’90s voice set-up hard parts, needing top pitch control and planned mouth sound changes.

Big Country-Pop Romance Duets

Top Guide to Big Country-Pop Romance Duets

How Country-Pop Voice Joining Changed

Big country duets have changed today’s country music by mixing pop voice ways with old country sounds. These just-right joining parts make a mix that fits many types of music.

Needed Duet Singing and Ways

“Need You Now” – Lady Antebellum

Right breath work and planned belt sounds mark this big duet. The singing needs:

Right on pitch joining in chorus parts
Keeping different voice sounds in verses
Even man-woman voice joining

“From This Moment On” – Shania Twain & Bryan White

This strong ballad shows:

Clean tune changes
Long high note control
Even breath hold ways

Hard Duet Moves

“It’s Your Love” – Faith Hill & Tim McGraw

Get these parts right for real singing:

Close voice moves
Bridge voice joining build-ups
Head voice sound evenness
Singer sound that fits well

“Don’t You Wanna Stay” – Jason Aldean & Kelly Clarkson

Voice needs include:

Dramatic key change moves
Strong note sounds
Planned voice build-ups
Mixing different voice ways
Today’s country-pop sound mix mastery

Old Rock Love Songs

Top Guide to Old Rock Love Songs: Voice Work Guide

Needed Rock Ballad Ways

Rock big hit ballads need special voice ways to reach their big feeling. Start with “I Don’t Want to Miss a Thing” by Aerosmith, focusing on kept high soft voice and planned breath hold during big chorus parts.

Building Joining and Pitch Control

“Don’t Stop Believin'” shows the need for right on pitch matching for rock joining. Work on your breath from the diaphragm to keep control through going-up tune moves. The bridge part needs very good voice power and careful breath work.

Hard Song Set-up Moves

“Paradise by the Dashboard Light” shows needing advanced voice work. Get good at changing times and key moves through mixing different voice places together. Keep a even sound power during big sound changes and show-like parts.

Top Voice Making Ways

“Somebody to Love” shows smart voice parts needing right on pitch head voice sound. Make your mic work good for gospel-like joining while keeping your voice safe. Work on kept voice shake ways to add feeling without hurting your voice.