Table of Contents

90s Hidden Song Gems: Top Guide to High Notes

Amazing Vocals from the 1990s

Steelheart’s “She’s Gone” is a true show of Miljenko Matijevic’s wide vocal range, giving us one of rock’s top high-note acts. The song has long power notes that fans of singing still talk about a lot.

Alt Rock Singing Gems

Nina Gordon changed alt rock with Veruca Salt’s “Volcano Girls”. It shows great high voice control yet keeps the real 90s rock feel. The big chorus in the track shows skill often missed in this music type.

R&B and Jazz Voice Wonders

Horace Brown’s “One for the Money” mixes R&B and jazz singing well, with amazing high voice control and smooth changes in voice levels. The song is a top example of smart song work from 90s R&B.

Top Singing in Prog Rock

Jeff Scott Soto in Eyes’ “Calling All Angels” shows he can sing in four octaves, setting a high mark for prog rock singing. The song has complex parts that show off singing skills not often heard in big rock hits.

Champs of Voice Range

Rachelle Ferrell goes all out with her six-octave range, with acts that show the full scale of human voice skill. Her sharp skill and new ideas stand out as top work in 90s singing.

These great hidden singing gems from the 90s still shape how we sing today, showing the time gave us some of the most new and skilled singing ever heard.

Less Known Power Ballad Acts

Less Known Power Ballad Acts of the 90s

Great Songs Missed

The 90s power ballad years had amazing singing acts that people still don’t know compared to big hits.

Steelheart’s “She’s Gone” shows great singing, with Miljenko Matijevic’s wide range going places few singers try. 호치민 밤문화 팁 더 보기

Jeff Scott Soto’s great act in Eyes’ “Calling All Angels” shows top four-octave skill with a level of care not often matched in this music type.

Act Skill and Making Songs

Giant’s “I’ll See You In My Dreams” shows Dann Huff’s amazing voice control, mixing deep verses with big chorus sounds that are just right for power ballads.

FireHouse’s “Love of a Lifetime” needs us to like it again for David Foster’s clear voice work and great voice range in the song.

Key Things Seen

These top power ballad acts share clear traits that show their skill:

Great studio making
Smart key changes
Big part before the end
Top breath work
New voice shaking ways
Long high notes

The mix of these parts makes strong voice shows worth noting among the best in the game.

Alt Rock’s Top Voices

Alt Rock’s Top Voices: Great Songs of the 90s

Big Moves by Women Singers

The 90s alt rock world saw great new singers who changed what we thought about singing.

Nina Gordon of Veruca Salt showed great skill, especially in the high part of “Volcano Girls“, while Kay Hanley of Letters to Cleo hit high notes in “Here and Now” showing top voice control.

Big Skill in Alt Rock

Out of grunge’s old ways, singers went for new heights with smart skill.

Rob Dickinson of Catherine Wheel hit high notes in “Black Metallic“, while Ken Andrews of Failure made smart voice layers all through “Stuck On You“. These acts show the link of smart skill and new ideas.

How Screamo Grew

The world close to hardcore saw big singing changes, with Jeremy Enigk of Sunny Day Real Estate making new sounds in his high parts in “In Circles“. These singers went beyond just showing skill, making songs that hit new feelings. Tracks to Your Vocal Comfort Zone

What Stays and Moves Us

These less seen power voices of 90s alt rock made lasting great songs where smart skill meets true feeling.

Even if not as known as big hits, their work shows the rich singing mix and new ways of the time. These acts still open new deep parts and raw feelings as we hear them, years after they first came out.

R&B’s Hidden Greats

R&B’s Hidden Greats: The Unknown Top Skill

It’s amazing how R&B greats moved music while keeping true soul. Horace Brown’s top song “One for the Money” shows smart jazz-influenced voice ways and well-done smooth runs, making smart layers that show new parts when heard again.

Whereas Glenn Jones’s work in “Here I Go Again” shows top phrasing and tone skill that voice teachers still see as a great show of technique, even if it didn’t hit big in usual markets.

The skill shown in these songs shows the often-missed deep parts in true R&B acts. These artists made new voice ways that mixed jazz notes, true soul, and smart rhythms – parts that would shape many singers in both R&B and other music types later.

Rock Songs Not on Radio

Great Rock Songs of the 90s Not Heard on Radio

Great Songs Not Well Known

Rock ballads from the 1990s have many great songs not seen by most.

Toad the Wet Sprocket’s “All I Want” and The Gin Blossoms’ “Until I Fall Away” show off the time’s great voice blends and smart guitar work, being top song work not much heard on the usual music plays.

Skill in Less Known Hits

Extreme’s “Hole Hearted” has great guitar work under smartly set voice parts, showing skill often missed in big song hits.

Buffalo Tom’s “Late at Night” gives true deep feelings through smart chord work, making a new mark for music depth in rock ballads.

Rare Cuts and Great Finds

The time’s less known great tracks include Soul Asylum’s “Just Like Anyone”, showing Dave Pirner’s top tune work, while Matthew Sweet’s “Sick of Myself” smartly mixes power pop parts with real, open words.

These songs are just right in both wide appeal and true art, showing the best rock times of the 90s often were not in the big song charts.

Great Less Known Rock Ballads

Toad the Wet Sprocket – All I Want
The Gin Blossoms – Until I Fall Away
Extreme – Hole Hearted
Buffalo Tom – Late at Night
Soul Asylum – Just Like Anyone
Matthew Sweet – Sick of Myself

Great R&B Voices Not Well Known

Great Hidden R&B Voices of the 90s

Top Acts by Women

Rachelle Ferrell’s top song “Nothing Has Ever Felt Like This” shows her six-octave range, making a new high mark for voice skill in R&B.

Lalah Hathaway’s “Let Me Love You” shows smart jazz ways and a great low voice that changed how we see new soul singing.

New Male Voices

Tony Rich’s “Nobody Knows” remains a top show of feeling through clear high voice work. The track shows the smart skill of less known 90s soul.

At the same time, Solo’s “Where Do You Want Me to Put It” has smart voice layers that show the time’s new making ways.

Top Group Sounds

Brownstone’s “If You Love Me” has smart blends that can match old gospel sounds.

Shai’s first take of “If I Ever Fall in Love” is a lesson in no-instrument blends, showing the group’s great voice mix.

Rare Album Finds

Adriana Evans’s 1997 self-titled work, especially “Love Is All Around“, mixes Sarah Vaughan’s smart jazz style with Minnie Riperton’s real high notes, making a unique mix of old and new soul sounds.